Florian Tomballe’s sculptures exist at the intersection of archaic force and modern abstraction. His works balance between recognition and distortion, figuration and fragmentation, as if they were remnants of an unknown visual language. Within these forms lies an inner energy—sometimes massive and enclosed, sometimes fractured and vulnerable.
In his practice, Tomballe explores how form and material develop their own logic, independent of direct representation. The influence of ancient Greek sculpture is evident, but not as a nostalgic tribute. Instead, it becomes a dialogue between past and present, where his sculptures are not reconstructions but autonomous entities. His work is driven by instinct, experimentation, and the unpredictable interplay between control and chance.